Local artist Helen Boyd and friend Natashi Kefford are launching HeArtWalk 2018, a two-day exhibition of art and postcards created by dozens of Hong Kong-based students, artists and art teachers from several schools.
The family-friendly event is the culmination of a year-long HeArt art project during which Boyd pledged to post pictures of handmade HeArts daily on her Instagram and Facebook pages. Followers were then able to request the heart be sent to themselves or to somebody with whom they wanted to ‘share the love’. Boyd’s hearts have travelled from Hong Kong to over 40 different countries. One follower requested a heart be sent to her daughter who was working as a frontline combat medic in Afghanistan.
“The project has made more of an impact than I had expected,” said Boyd. “It’s amazing to see the impression paper and pen can have on people.”
The walk takes participants through Sai Kung to participating businesses who are displaying HeArtWalk art. The final destination will be Boyd’s H Gallery where professional artists have donated work which will be available for purchase through a silent auction.
Tickets will go on sale a week before the event when those taking part in the walk can collect stamps from the participating businesses, these stamps will then entitle them to enter a raffle. Dozens of businesses in Sai Kung have donated prizes, from hair products to helicopter rides. Money raised from both the raffle and the silent auction will go to charities including ‘House with Heart’, a home for abandoned children in Kathmandu, Nepal.
HeArtWalk 2018 will take place on April 21 and 22, the art auction will take place 6-8.30pm, April 21, tickets are $200 with a map for the artwalk displayed on the back of the ticket. Tickets are available from H Studio Gallery, 1/1 Wan King Path, Sai Kung, @helenbrontebodyartist, facebook.com/HStudioGallery.
Eclectic boutique Apartment 49 will be ‘popping up’ in Central next week. Here’s why you need to check it out
Team-of-two George Lyons and George Woods launched their curated homewares business when they couldn’t find the products that they loved in Hong Kong. Urged on by enthusiastic friends, they now stock a range of diverse goodies from around the world. Their African ‘juju’ wall art pieces went down a storm last season.
Both long-term Hong Kong residents, they juggle Apartment 49 with busy family lives – between them they have six children under the age of 12.
“Having a pop-up in Central is the best,” enthuses Lyons. “It means we get to bring in loads of new stock for customers to see. At the moment, we have a huge range of homewares, statement jewellery” (their fabulous earrings will take you from beach to bar with great style) “handbags, swimwear and pool accessories.”
Of note, Apartment 49 is one of only a handful of Hong Kong-based stores that stock adult rash-vests (they source them from Australian-based Acqua Brand), a must-have when you’re living under an Asian sun – nobody wants to come off a junk imitating the lunch buffet prawns.
And with that number of offspring, the Georges are expert at sourcing gorgeous gifts and kids toys. So if you’ve got birthday parties looming on the horizon, this is your go-to pop-up.
New for this season include all-new homewares, Katie Luxton pouches and jewellery, Kollab shopping and beach bags, Cocolux Onyx candles and a new body and bath range called Bondi Wash. “We’ll also have the latest range of Keep Cup reusable coffee cups in lots of new styles and colours,” says Lyons. “We’re passionate about eliminating single-use plastic.”
“We source our products from all over the place. Let’s face it, it’s never a chore,” admits Woods. “Both Aussies by birth, we do have a soft spot for Australian collections, but we’re basically drawn to small businesses like ourselves. It’s great to be able to support them. My favourite line this season is our new Tribal Artwork from Melbourne-based artist Anna Mulcahey,” she adds.
Lyons, meanwhile, has her eyes firmly on the handcrafted French Laguiole knives.
The Apartment 49 Pop-Up runs from Tuesday March 20 to Saturday March 24, 10am-8pm, and Sunday March 25, 11am-5pm, 33 Wellington Street, Central, apartment49.com.
Nicole Denholder, founder of crowdfunding initiative Next Chapter, explains why women are being served a smaller slice of the financial pie when it comes to funding startups. She was speaking at Hong Kong’s International Women’s Day Networking Event
It seems as if every week in Hong Kong there’s a new diary date involving entrepreneurs, and usually female entrepreneurs at that. Whether it’s a networking event, a new launch, a panel discussion or a pop-up shop, small, female-driven enterprises appear to be big business in this dynamic city. This week it was the turn of the International Women’s Day Networking Event, organised by three local small business owners.
According to studies in the US, female-led startups deliver high returns. Seed-stage venture firm First Round Capital found that companies with a woman at the helm performed 63% better than those with all-male teams. But despite this, companies led by females receive just 5% of venture dollars. Globally, it is estimated just 5-10% of women owned businesses have access to commercial bank loans. Until 1988, women in the US had to have a man guarantee a loan if it amounted to more than US$50,000.
In Hong Kong it’s a similar story. According to The Women’s Foundation (TWF), Hong Kong has a heavy gender skew. A massive 81% of high growth entrepreneurs are male and the ratio of male to female employers is 3.5 to 1. TWF believes targeted assistance is crucial to close the gap and to empower women-owned businesses to reach their full potential.
Nicole Denholder, founder of Next Chapter, a crowdfunding portal for women, has over twenty years in project and merger management – much of it for multinationals – under her belt. When it comes to launching a business, she’s been there, advised on that. Realising that women weren’t getting a fair slice of the investment cake, she was keen to get Next Chapter off the ground.
“Because women aren’t so dominant in business, they don’t tend to have the know-how that men have to access loans, and that is a major drawback,” she says. “Over the last 30 years things have improved, but women are still losing out on dollars when it comes to funding. When you mention an enterprise is female-driven, it’s always assumed that it is low cost. When I tell men I crowd fund for women, the automatic assumption is that it’s for low investment enterprises. Ok, we can’t all be unicorns (startups with a value of over US$1 billion) but we’re often worth more than what is assumed.
With Next Chapter, Denholder wanted to provide some sort of service that involved working with women, pushing female businesses to the next level. The crowdfunding idea is simple, but effective. A project or venture is launched online and investors are invited to contribute a small amount of money towards it in return for the product or service.
This year she’s launching an advisory service to help women sit at the table more effectively. “This won’t guarantee a better loan, but it does guarantee a better fighting chance,” she says. “We want to help women understand business jargon and what is required of them when the talk turns to areas such as ‘equity’ and ‘business value’. If you haven’t been in business before, why on earth would you understand these terms?”
Along with an understanding of how business works, Denholder lists passion and drive as key to success. “One of my clients was in the corporate world but desperately wanted to embrace her creative side as an illustrator. She had the drive, but had never been professionally trained. She crowdfunded a very conservative US$2,000 to launch some Christmas cards, but because this was something she really wanted to do and was passionate about it she really worked hard and this small step has now led to corporate commissions for logos, children’s book illustrations and mural work. It’s a great story.”
Denholder is eventually aiming to launch Next Chapter internationally. “I just want to keep women moving on to the next level,” she says. She recommends women take a look at internationalwomensday.com to find out how they can ‘press for progress’ in 2018.
According to research carried out by HSBC for International Women’s Day, just over half of expat women surveyed viewed Hong Kong as the best area in Asia Pacific to improve their earning prospects. This compared with over 70% who considered Singapore to be the most lucrative country. Hong Kong also trailed Singapore when it came to work culture and personal full-fillment at work. However, the SAR was considered the top place to acquire new skills and 64% agreed it was a good place to progress their careers. For job security, Japan and Taiwan were rated top of the table.
An old 1960s government high-rise on Cotton Tree Drive has metamorphosed into a five-star hotel, a welcome addition to Hong Kong’s luxury hotel scene. Sitting snug between the Peak Tram terminal, Hong Kong Park and the Cheung Kong Centre, The Murray is wonderfully located in the heart of the city. The views over the park, St John’s Cathedral and across Victoria Harbour to ICC from its 336 guest rooms are some of the best in town.
The distinctive white building with its huge ground-floor archways was originally designed by Architectural Services Department worker Ron Philips in 1969 for the then-colonial government. The brief was to come up with an office block to accommodate the Public Works Department. But Philips designed a 27-storey building so innovative that modern-day buildings struggle to compete with its environmental features.
To reduce air conditioning costs, Philips designed the building with its windows sheltered by concrete ‘fins’ positioned at 90 degrees to the panes to avoid direct sunlight hitting the glass. This passive design was considered innovative enough to win the Certificate of Merit of the Energy Efficient Building Award in 1994. In 1969, it was well ahead of its time and as Foster + Partners, the lead architect on today’s redesign, has pointed out, the modern day glass high-rises that sit shimmering in the Asian sun today don’t seem to have been quite as design-savvy.
Philips in now in his 90s and living in Britain, but he was invited by Foster + Partners to consult on the Murray’s conversion and last December he flew out to Hong Kong for the official opening of the hotel. The building and site had been bought from the government in 2011 by developer Wharf Holdings for $4.4 billion, with a further $3.4 billion spent on the redevelopment. Although the sale of government land to a private party was controversial at the time, The Murray is part of the Conserving Central project which aims to preserve what’s left of Central’s historic heart. This has ensured a sympathetic re-design and subsequent new lease of life. Heritage constraints meant the height of the building could not be altered and original features such as the sweeping archways and clever vehicle ramps that feed off from busy Cotton Tree Drive had to be left in place.
The re-design beautifully ‘opens up’ the building with floor-to-ceiling glass at the lower levels and multiple entry points. The concrete car park has been replaced with gardens and outdoor spaces – the dining room spills out onto a terraced area shaded by a 139-year-old listed Rainbow Shower Tree, which is the centrepiece of the gardens.
The distinctive arches were installed by Philips to solve the problem of steep inclines limiting access to the car park. But as it transpired, the archways not only made the base of the building more accessible for vehicles back in the ’60s, today they provide fantastic shade and rain protection, enabling a superb outdoor venue that is protected from the elements. The hotel is next month welcoming a car exhibition to the space which will be known as The Arches.
The Murray boasts a modern, sleek cocktail bar which will no doubt become a welcome watering hole with workers from the neighbouring central business district – the cocktail menu is named The Tape and features tipples including ‘Opening Bell’ and ‘Nifty Fifty’ as a nod to its locale.
The afternoon tea was delicious – the perfectly warmed and fresh scones were a highlight – and located close to top tourist sites St John’s Cathedral and the Peak tram station. As a stop-off for foot-sore site-seers it couldn’t be better placed. In June a rooftop bar and restaurant is due to be opened.
The guest rooms are, as you would expect of such a high spec re-design, top notch, with free-standing bathtubs, spacious living areas and superb views over the historic heart of Central. Indeed I’m looking forward to many happy moments in this fabulous new addition to Central’s hotel scene.
*The hotel has only received a soft opening so far – most of the hotel restaurants are open but only when reserved in advance. They will be fully available next month, niccolohotels.com
The Harbour Arts Sculpture Park opened to the public today on Hong Kong’s Harbourfront. Featuring work from nineteen heavy hitting international and local artists, including Great Britain’s Tracey Emin and Antony Gormley, Japan’s Yayoi Kusama and Hong Kong’s Kacey Wong, the ‘museum without walls’ runs for six weeks until April 11.
“There is a real ‘can do’ spirits in Hong Kong,” commented co-curator Tim Marlow at the official media launch. “I hope this (event) plays some role in the continuous momentum that cements Hong Kong’s international status as a growing art centre.”
This is the first event of its kind in Hong Kong, with pieces from 19 local and international artists displayed along the Harbourfront in Admiralty. Asked about his favourite pieces, Marlow said he was moved by Tracey Emin’s piece which is also a memorial to her personal friend Sir David Tang, who died last year.
“But what I’m most excited about is the location. What a privilege to be able to invite international artists to site their sculptures in one of the most exciting urban locations in the world,” he said. “The natural beauty of the harbour and the immense architecture of the buildings make it a really fertile location.”
The sculpture park is accompanied by the Jockey Club Arts Education Programme, a series of free workshops, educational activities, guided tours and a public art symposium. The aim is to encourage discussion of art in the city and create a culturally vibrant Hong Kong, as well as enhancing the accessibility of art in the SAR. By lunchtime on the day following the launch, it would seem this noble aim had already been achieved, with lots of excited children running around on the grass, touching the installations and having their pictures taken with the artwork by eager parents.
Visitors can also take part in a Harbour Arts Sculpture Park Photo Competition sponsored by ICBC (Asia) to capture ‘the most beautiful scene of the park’. Entry is via an app and website to be launched next week.
Harbour Arts Sculpture Park is located at Harbourfront, Admiralty, it’s free-of-charge and runs until April 11.
International curated tour operator Scott Dunn is offering New Year discounts on holidays to the Maldives, Phuket, Cambodia, Oman and Europe throughout 2018.
Scott Dunn recently entered the Hong Kong travel market after acquiring Asia-based travel specialist Country Holidays last December. Scott Dunn has existing operations in London, Singapore and San Diego.
Scott Dunn was founded in 1986 and offers tailor-made holidays to over 100 worldwide destinations. “We look forward to rapidly capitalising on our combined position as the largest luxury tailor-made travel business in Asia and continuing to offer our guests 24/7 service over the phone,” said Scott Dunn chief executive officer Simon Russell.
Scott Dunn courts the family market with its Explorers kids clubs at selected resorts across the Mediterranean, the Alps and the Maldives, for children aged four months to 11 years. It recently launched Crew for the 11+ age bracket at properties in Greece and Croatia, offering a flexible 18-hour programme of water and land-based activities split over six days for parent-weary teens, scottdunn.com
March 8 is International Women’s Day (IWD) and to mark the date, local entrepreneurs Mawgan Batt, Emma Pike and Lori Granito have put together a networking event for Hong Kong’s business-savvy ladies.
“We’re hoping it will be a low-key, fun and interesting event, bringing together like-minded women and celebrating female successes in Hong Kong,” said Batt.
“The theme of this year’s IWD is Press for Progress and we’ve asked our three speakers to use this theme to share experiences of bringing about change in their personal and professional lives.”
No strangers to professional lives themselves, the trio are all business owners. Pike is the founder of online butcher Farmer’s Market, as well as being involved in a number of other businesses. “The path to success isn’t linear,” she says. “But connecting with other entrepreneurs is always beneficial as it gives new perspectives and ideas.”
Granito is founder of women’s ‘leadership and success’ coaching company, Legendary Coaching. “I set it up in 2015 after I was asked to coach a few people to do TEDx talks. I’ve now transitioned from my previous career in catering to full time coaching. I’ve been mentoring women entrepreneurs for over 20 years.” Granito reckons one of the most important challenges for women in business is to keep moving forward. “Even when the path to success is not as clearly laid out as it could be.”
Batt founded online media company The HK HUB in 2012, which she sold at the end of 2015. She now runs marketing and communications company Bespoke Consulting, advising small businesses on marketing and strategy. “Running my own business has been a rollercoaster ride and I’ve learnt a tremendous amount along the way,” she said.
The event’s speakers include Nicole Denholder, founder of crowdfunding portal for women Next Chapter; filmmaker Joanna Bowers who directed documentary The Helper; and Bowie Lam, advocator for the rights of female sex workers and founder of Teens Key, which campaigns for sexual and reproductive health rights for young women.
“We want guests to make some great new connections, to be inspired by the stories they hear and to take away some goals for the future,” said Batt. “Networking events can be tough, sometimes awkward, but we’ve all found that women-only events tend to be less intimidating and can help create lasting relationships that are important both socially and in the work environment.”
Dress is smart-casual with a pocket full of business cards.